Who’s Crazy?

What does it mean to be crazy? Is using the word crazy offensive? What happens when such a label gets attached to your everyday experiences?

In order to understand mental health, we need to talk openly about it. Because there’s no single definition of crazy, there’s no single experience that embodies it, and the word itself means different things—wild? extreme? disturbed? passionate?—to different people.

(Don’t) Call Me Crazy is a conversation starter and guide to better understanding how our mental health affects us every day. Thirty-three writers, athletes, and artists offer essays, lists, comics, and illustrations that explore their personal experiences with mental illness, how we do and do not talk about mental health, help for better understanding how every person’s brain is wired differently, and what, exactly, might make someone crazy.

If you’ve ever struggled with your mental health, or know someone who has, come on in, turn the pages, and let’s get talking.

Bina has never forgotten the time she and her mother ran away from home. Her mother promised they would hitchhike to the city to escape Bina’s cruel father and start over. But before they could even leave town, Bina had a new stepfather and two new stepsisters, and a humming sense of betrayal pulling apart the bond with her mother—a bond Bina thought was unbreakable.

Eight years later, after too many lies and with trouble on her heels, Bina finds herself on the side of the road again, the city of her dreams calling for her. She has an old suitcase, a fresh black eye, and a room waiting for her at Catherine House, a young women’s residence in Greenwich Village with a tragic history, a vow of confidentiality, and dark, magical secrets. There, Bina is drawn to her enigmatic downstairs neighbor Monet, a girl who is equal parts intriguing and dangerous. As Bina’s lease begins to run out, and nightmare and memory get tangled, she will be forced to face the terrible truth of why she’s come to Catherine House and what it will cost for her to leave . . .

Henry loves yetis.

Yes, yetis.

The problem is nobody knows if yetis actually exist. Henry, however, is sure they do, and he sets off on an expedition to find one. He has packed everything he needs, including a camera to take photos for evidence. But can he find a yeti? And will anyone believe him when he returns home?

Cliff Hubbard is a huge loser. Literally. His nickname at Happy Valley High School is Neanderthal because he’s so enormous-6’6″ and 250 pounds to be exact. He has nobody at school, and life in his trailer-park home has gone from bad to worse ever since his older brother’s suicide.

There’s no one Cliff hates more than the nauseatingly cool quarterback, Aaron Zimmerman. Then Aaron returns to school after a near-death experience with a bizarre claim: while he was unconscious he saw God, who gave him a list of things to do to make Happy Valley High suck less. And God said there’s only one person who can help: Neanderthal.

To his own surprise, Cliff says he’s in. As he and Aaron make their way through the List, which involves a vindictive English teacher, a mysterious computer hacker, a decidedly unchristian cult of Jesus Teens, the local drug dealers, and the meanest bully at HVHS, Cliff feels like he’s part of something for the first time since losing his brother. But fixing a broken school isn’t as simple as it seems, and just when Cliff thinks they’ve completed the List, he realizes their mission hits closer to home than he ever imagined.

It is 1950, and nine-year-old Willa’s sheltered childhood is about to come to an end when her mother’s beau arrives with his two sons to her family’s summer home in British Columbia. As Willa’s older sister pairs off with the older of these boys, Willa finds herself alone in the off-kilter company of the younger, Patrick. When, one afternoon, Patrick lures Willa into a dilapidated rowboat, Willa embarks upon an increasingly damaging relationship with Patrick, one that will forever reconfigure her understanding of herself.

Demi-Gods traces the tumultuous years of Willa’s coming-of-age as she is drawn further into Patrick’s wicked games. Though they see each other only a handful of times, each of their encounters is increasingly charged with sexuality and degradation. When Willa finally realizes the danger of her relationship with Patrick, she desperately tries to reverse their dynamic, with devastating results.